That Light Feeling Under Your Feet – April 2018, NeWest Press, Edmonton AB, Canada
Exploring the liminal space between labour and leisure, the poems in That Light Feeling Under Your Feet are at once buoyant and weighty, with language that cuts like a keel through the sea.
What it’s like to really work on a cruise ship…
This is my first poetry collection. Amusing and authentic, That Light Feeling is about the two years I lived and worked on cruise ships. Through personal experiences, observations, and stories shared by colleagues, I take you on an incredible journey into the secret world of cruise ship workers. From Mexico to the Amazon, to Tahiti and Alaska, through hurricans and tsunamis–these narratives poems offer a peek into the lives of those who, out of necessity or a sense of adventure, seek a career on the high seas.
That Light Feeling Under Your Feet plunges headfirst into the surreal and slogging world of cruise ship workers. These masterfully crafted poems challenge perpetuating colonial and class relations, as well as the hedonistic lifestyle attributed to the employees of these floating resorts. Kayla Geitzler’s debut collection interprets isolation, alienation, racism, and assimilation into the margins as inevitable consequences for the seafaring workforce of the most profitable sector of the tourism industry.
Interviews and Podcasts
April 26, 2019 – That Light Feeling Under Your Feet (NeWest Press) is the personal account of author Kayla Geitzler’s time spent as a gift shop associate for two consecutive years on three separate cruise ships. Varied in it’s forms, the collection shape-shifts to reveal the peculiar, the intimate, and the struggle of living life at sea. From 104 hour work-weeks to hurricanes – Kayla joins us to share more about her work, and her love of poetry, which she says has always been present.
From Something In The Water: Kayla Geitzler’s That Light Feeling Under Your Feet by Symon Jory Stevens-Guille
“Some of these poems seem to walk on water, on the froth from a swell where capital meets little human moments, an odd place full of sadness, humour and terror.
“The book moves back and forth between short lined poems—as short as single syllables—and a kind of long line that is atypical of much contemporary Canadian poetry. Some of these are nearly prose, narrative vignettes that unfold across the book. . .It’s fair to say that there’s a premium on the punchy lyric in Can Lit, a preference for sonic gotchas. Geitzler can write these, but her best long lines do a service to both sound and sense.
“Alongside line length, Geitzler takes another tack that has been, I think, under-appreciated: genuine narrative. I don’t mean the sort of sporadic series of images that characterize many contemporary poems and which, relying on the human proclivity for coherence, are extended some narrative sense. I mean there are stories here, stories that structure good poems. More than that, the turn to narration gives the book as a whole a focus that’s irreducible to mere theme.” – Symon Jory Stevens-Guille, HA & L
“In her formidable poetic debut, Kayla Geitzler navigates a world of ‘unregulated overtime and tip skimming’ aboard the cruise ship Saturnalia. No mere three-hour tour, That Light Feeling Under Your Feet is an unflinching portrait of life at sea, and the discrimination, racism, and misogyny inherent in the tourism industry. Darkly humorous and deftly realized, the poems in That Light Feeling Under Your Feet stick in the mind like ‘endless leviathans’ harnessing the controlled chaos of the word.”~ Jim Johnstone, author of The Chemical Life
“Like a workaday Virgil, Kayla Geitzler takes us from the upper decks of rum cocktails, jackpot bingo, and conga lines into the underworkings of cruise ships — the sale-to-sail palliative powers of simulacrum, the trinket-exhausted ports, and the forced smiles of deck staff under a manager’s beady gaze. In poem after startling poem, Geitzler’s sustained meditation forces our attention back to this absurd microcosm, proving herself a provocative emissary to frantic mass tourism. These imperial floating wedding cakes, she insists, are always ready to blot out the sky, taking those on board with them.”~ Tammy Armstrong, author of Take Us Quietly